Walking around Messina

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I love walking around and exploring the streets of Messina.

This city is filled with many treasures, and its details tell many stories.
The beauty of the world is always found in small pieces of beauty.
Like in the moments we connect to those around us, a handshake, a smile, a quick greeting, the brush of a cheek, small discrete intimacies which create harmony.

 

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When I notice a pattern on a wall, a small flourish or funny shaped piece in the puzzle, there is a sensation of feeling connected to an essential human past as if feeling the warmth of another palm against my own opened hand.
Each precious little mosaic tile tells you about how it was all put together. A work of art is created one day at a time, one word after the other, one brush stroke at the moment, until one day you step back and see the bigger picture and see you have finished something bigger than yourself, a work which will speak to everyone.
I’d like to share the little details I discovered while exploring on an early morning walk around the city.

Please come with me to Messina.

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Messina is a living, breathing miracle. The city was decimated in one of the most powerful earthquakes ever recorded in European history.

On the early morning of the 28th of December in 1908, a massive earthquake and tsunami destroyed ninety per cent of the buildings of Messina and Reggio Calabria on the opposite side of the strait which separates Sicily from mainland Italy.

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In the second half of the 1800’s Messina was a thriving hub of economic and cultural activity. It was described as a beautiful city filled with a succession of beautiful palazzi, churches and a beautiful baroque fountain which provided fresh mountain spring water to its inhabitants directly in the centre of the town.

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Gradually over the decades the city has picked up the rubble and rebuilt itself, some reconstruction projects lasting up until the 1980’s while others continue until today.

Many well-known literati, musicians, businessman and barristers worked and lived in the city. The university hosted many famous intellectuals of the day as lecturers.

Even today the University of Messina fills the town with bookstores, trendy cafes, take away stores and restaurants frequented by young students giving Messina the vibrancy that only University towns can have.

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While Messina is usually a chaotic, buzzing metropolis for most of the year as it is the focus of essential offices for the provincial and national government, towards the end of August when most office workers are still on holiday the city is much calmer and more comfortable to explore.

This is when I usually like to go for a visit, explore the typically crowded streets, take the time to soak in the cosmopolitan atmosphere and so some street photography.

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At Messina the buildings are always as expressive as the people, they speak without words, their delicate details tell of their reconstruction, the care and love that was expressed by the locals to never let go of their city, bringing it back from an apocalyptical end.

Unexpected travels in Italy

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Photo by Cristina Gottardi on Unsplash

 

Dolce Vita Bloggers have asked us to share our fun tales about travels in Italy. Really every day living here is filled with journeys and experiences, too many to share in one post.

Italy has taught me the art of being a traveller rather than a simple tourist. Because of the immense amount of monuments, museums, churches and art galleries to see it is literally impossible to see everything, so you are forced to choose what speaks most loudly to you.

You need to give yourself space to notice the little things, a detail in design, a quirky cherub in a church, the colours of different mosaic tiles, an exotic door knocker, clothes hanging on a clothesline from a balcony or a beautiful little old lady walking around the markets doing her shopping.

The beauty of Italia is always in the little details, allow yourself the time to observe the bliss of the moment, the sounds of the streets, a vibrant conversation in Italian, a motorino zipping past, the colours of the fruit and vegetables, the feel of the stone on an ancient palazzo, a detail in the architecture. Italy is a feast for the senses, so see, taste, feel, smell and listen to every single moment.

Italia is the home of the unexpected, often you are forced to improvise and be flexible. You will find places closed for lunch, or will be made late by traffic, or find yourself waiting in never-ending lines. But if you embrace the mishaps you will be taken into place you would never have imagined.

For travelling in Italy, you need to pack a good sense of humour, a certain amount of patience and a whole lot of time because anything can and will happen. Trains and planes will be late, locals infuriatingly will not be in a hurry, tourists will be, and you can expect the unexpected.

Sitting down to write this post my mind is ticking over the many strange and funny occurrences on my travels around Italy. Everything from getting off the wrong train station in Tuscany and discovering a totally new town.

To inadvertently catching the last bus to my father’s families original hometown in the Abruzzo region and getting a lift into town with a kind bus driver who turned out to be a distant cousin.

Disastrously following a GPS off the beaten track and into a dry riverbank in the middle of nowhere, thanks to Sicily’s criminal lack of road signs.

Getting hopelessly lost in Venice, finding many cute little stores and accidentally stumbling back on my hotel after an entire afternoon of aimlessly wondering.

Being caught up in a police blitz in Florence and seeing the African street vendors hot tail out from in front of the Uffizi before the Carabinieri arrived.

Or the time I was on a romantic dinner in Lucca and a water pipe burst in the apartment above the restaurant. While being accompanied outside I witnessed an absent-minded elderly man swearing at the janitor of the building because his house had been flooded. The man had just run out of his house accidentally forgetting to put on his pants.

The most amazing moment was when I went to see an exhibition at Florence in the Palazzo Medici Riccardi which was dedicated to the inventions of Leonardo da Vinci. After seeing all of the fruits of da Vinci’s imagination and extra detailed models of Filippo Brunelleschi’s project for the Duomo of Santa Maria del Fiore, at Florence.

After I finished I decided to take a look around the grand Renaissance palace which seemed to be open to the public.

I was about to leave when I noticed a small door to I room I had inadvertently missed, so I went through it.

On the other side, I discovered a small chapel whose walls were covered in the most vibrant and spectacular fresco’s I have ever seen.

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The famous cycle of frescoes was painted by the Renaissance master Benozzo Gozzoli in 1459 for the Medici family and they left me with a tremendous sense of awe.

The Journey of the Magi is a painting dedicated to a sacred subject but rich in traces of pomp and secular elegance. One wall is dedicated to hosts of angels who sing while the magnificent procession of the Three Kings approaches Bethlehem on a separate wall. The kings are accompanied by their respective entourages as they enjoy the scene of a noble hunting party with falcons and felines along the way.

The sumptuous dress of the regal party makes this series of frescos one of the most fascinating testimonies of art and costume of all time. The procession of characters features prominent Florentine nobles from Renaissance, merchants and artists which are painted with such vibrancy that they seem alive. The colours and style of Gozzoli are amazing the fresco looks so contemporary as to seem to be painted yesterday.

Reading up about the work Gozzoli, really had wonderful fun depicting local characters of Medici Florence, even inserting himself and featuring a particularly acrobatic horse who is miraculously able to balance on two legs.

This was a work of art, I discovered entirely by accident, just by following my own nose.

 

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Photo by Dario Veronesi on Unsplash

 

A trip to Italy is indeed an adventure, so I’d advise you to keep these three things in mind:

1) You will be late for one reason or another, so give yourself plenty of extra time.

2) Let yourself get lost, that’s when you discover the most unexpected things.

3) Allow yourself to wonder and interact with the locals, go to local events and do plenty of people watching.

 

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Photo by La So on Unsplash

 

Italy is so colourful you really need to give yourself the time to absorb its unique energy, colours, flavours, art and history.

Think of a vacation to Italy as an adventure, go down the side streets, through tiny little doors on the side of churches, try a trattoria or bar where you see the locals spilling out onto the streets. Move out of your comfort zone, try something you usually don’t do.

I guarantee it will be the best experience ever.

And the most memorable vacation of your life.

Sicily Inside and Out is about sharing my own travel experiences in Sicily here are some of my favourites:

The one time I went to Etnaland 

The stone garden of Noto

On the road to Syracuse

 

Thanks so much to Kelly from italianatheart.com, Jasmine from questadolcevita.com and Kristie of mammaprada.com for suggesting such a wonderful subject.

If you are a blogger or creator of an Italian themed channel please feel free to join us every 7th of the month for our Dolce Vita Bloggers topics, we’d love to hear from you.

This is part of the #DolceVitaBloggers Linkup – #11 October 2018 – Hilarious Travel Mishaps

Past #DolceVitaBlogger Link-Ups:
​#DolceVitaBloggers Linkup – #10 September 2018 – Favourite Italian Recipe
​#DolceVitaBloggers Linkup – #9 August 2018 – Culture Shock
#DolceVitaBloggers Linkup – #8 July 2018 – La Dolce Vita
​#DolceVitaBloggers Linkup – #7 June 2018 – Hidden Gems in Italy
​#DolceVitaBloggers Linkup – #6 May 2018 – Five Italian Words
​#DolceVitaBloggers Linkup – #5 April 2018 – The Perfect Day in Italy
​#DolceVitaBloggers Linkup – #4 March 2018 – International Women’s Day
​#DolceVitaBloggers Linkup – #3 February 2018 – A Love Letter to Italy
#DolceVitaBloggers Linkup – #2 January 2018 – Favourite Italian City
​#DolceVitaBloggers Linkup – #1 December 2017 – ‘The Italian Connection

 

 

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For more on how to join in on the fun click here.

The one time I went to Etnaland

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Photo by chuttersnap on Unsplash

Every year a group from my small Sicilian town of Sinagra organises a pilgrimage to the Etnaland amusement park at Belpasso outside of Catania. In the summer months, the waterpark is open until the early evening, and the connected theme park rides are put into motion as the locals spend their evenings spinning, dipping and riding around until the early morning.

This year I was swept up by the enthusiasm of my eight-year-old son, who had never been on a waterslide and was somehow tricked into wanting to relive my childhood. I remembered the wind blowing through my hair on toboggan rides with my best friend at the tritely named Adventure World, a magnet for children on school holidays in Western Australia, together with summer barbecues and walks through Kings Park, a hundred acre patch of natural bush right near the centre of the Perth CBD.

I was determined to create some memories for my son, after this year’s most disappointing persistently rainy summer. I happily got up at six am, took the long bus ride, paid the exorbitant entrance fee, and made a packed lunch.

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The day began by dipping our feet and bottoms into the extra large doughnut-shaped floating devices which took us along the ‘slow river’ ride, gently being pushed along by the leisurely paced artificial current while intermittent water features and fountains sprayed us around the circuit.

Lulled into a clear yet false sense of security we decided to test out something more adventurous. My son had seen a waterslide on the parks web page called ‘the black hole’ and was determined to have his official water park baptism on it.

Now I should have guessed the true nature of this ride, by the name alone, the phrase Black Hole doesn’t precisely evoke unicorns and rainbows. But from the outside, it didn’t seem too fierce, and it resembled similar fun waterslides in Australia.

While we sat down on our little double seater water raft at the mouth of the steep pitch black tube, I wondered how I would be able to reassure my son in case he becomes frightened, and I resolved to make happy, encouraging yahooing sounds on the way down. As the water rushed past us and pushed us down into the absolute darkness I suddenly remembered, I’m no longer a child and I actually hate water slides.
What followed was a brief moment of absolute terror. The sensory deprivation of the pitch black meant we could not see one another even if we were one in front of each other, nor prepare ourselves for the twists, turns and bumps along the tube of terror.
Needless to say, my reassuring yahoo noises were actually more like hyperactive teenage girl squeals and screams. My niece who was waiting for us near the chute’s pool heard us coming down and said my son’s frightened eyes looked as if they were ready to pop out of their orbits.
The worst thing about water slides is the sense of losing control over your own movements, once you start there’s no going back, you just need to sit back and try to enjoy the ride, or in my case scream your lungs out.
Then there is the sudden realisation of all the naked foreign bodies who have also sat on the same mats, seats and lifesavers as you, yes the water is chlorinated, but there is a distinct sensation of uncleanliness.
Childhood is such a wonderful time when you seek out adventure, live in the moment and never see the danger. Sadly I’m no longer in that phase of my life and have become quite a snob.

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To my surprise, the Etnaland crowd is far from snobbish as it seems most of Catania comes here to cool off during the sweltering Catanese summer. The lava rock landscape around the city is scorching and apart from the odd swimming pool, air-conditioned shopping malls, fountain, crowded rocky beaches, and after dark piazza, there aren’t many options for cooling off, so the water park is a substantial part of the summer entertainment.
Ranked among the twenty best water parks in the world Etnaland is an endless hive of activity with busloads of people coming from throughout Sicily and many families from Europe. It’s a beautiful spot for people watching, as different waves come in, strip down into bathers and head off to the rides for the whole day.
I’ve never seen so much overexposed flesh in one place, it’s actually beautiful to see how so many people can be comfortable with their own bodies and its great to see this immense power for body positivity. But sun worshipers roasting their skin is actually quite unhealthy, and I felt quite overdressed with my shorts and sun proof shirt designed to protect my pale flesh from sunburn. Some habits from my Australian childhood will never grow old.

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On the whole, the day trip is a good family day out, the place is well organised, clean, safe and very popular. The only downside was having to wait in line for the rides, but if you are shrewd and head out to the more popular ones while everyone else is having lunch, you can avoid some of the confusion.
Basically, you arrive, throw everything you have into a locker you hire for the day and strip down to your bathing suit and then crisscross the dozens of water rides and pools around the park. There is literally something for everyone from kiddy pools to rides with names like Kamikaze, Twister, Giant Toboggan, Red Cannon, Jungle Splash, Colossum and Titania. There are complimentary maps available at the entrance, so it’s easy to plan out your day.
The many park employees are positioned around the place with cameras taking everyone’s photos on the rides. At the entrance to the park you are given the option to get a bracelet which is scanned after every picture, and when you are finished, you can go and see your photos at the photo booth and purchase prints for about 10 euros a pop.
For those who are looking to relax on a deck chair by the pool all day you can hire a spot, buy a cocktail at one of the many overpriced open bars and restaurants. If you don’t have an energetic child dragging you around the park, you can dip into the artificial wave pool which is put into motion every hour together with an active dance party complete with twerking and gesticulating dancing girls, if that’s what you like.

If everything gets too much at the end of the day there is a relaxing spa bath to massage your aching muscles, just in case you need it, there’s something for everyone really.

Mata and Grifone

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Sicily is famous for its ceramics, designed in the classic Maiolica glazed style with delicate baroque patterns. The most original pieces and those who stimulate the most interest from visitors are the Moorish head designs, which consist of pairs of pots, cups or jars which depict a fair-skinned woman and a man with distinctly North African features.

Most foreigners are perplexed by this extravagant couple, which is often impressive features of many exquisitely groomed balconies and gardens all over the island.
Behind this couple, there is an intriguing mix of mythology and Sicilian history.

Theirs is a love story akin to Romeo and Juliet or Tristan and Isolde, with a surprisingly gruesome mixture of violence and folly. The story takes us back to the end of the Arab period in Sicilian history from 831 to 1091 when the island was known as the Emirate of Sicily (Arabic: إِمَارَةُ صِقِلِّيَة).

This intriguing tale has been interpreted many times, and the characters at its heart have inspired many artists throughout the centuries.

The original folktale comes from Palermo and tells of a Saracen merchant who falls in love with a beautiful local girl. They start a passionate love affair until the girl discovers her lover has a wife and children waiting for him in his homeland. In a fit of jealousy and rage, she murders him in his sleep, cutting off his head so that her lover would stay with her forever. The girl uses the head as a vase to grow a beautiful basil plant. Others who saw her flourishing plant forged themselves colourful clay head pots in an attempt to recreate the bountiful fertility.

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A more romantic version of the Moorish heads tale comes to us from Messina. Every summer as part of the elaborate mid-August celebrations dedicated to Messina’s patron the Virgin Mary, the pagan founders of the city is also featured in the religious procession.

The gigantic eight-meter tall papier-mâché statues of Mata and Grifone riding on horseback date back to 1723 and reenact the arrival of Roger the first of Sicily to Messina, after the island was finally liberated from the Arab domination in 1071.

Roger, I was a Norman nobleman he became the first count of Sicily, and his descendants continued to rule Sicily until 1194.

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In 1547, when archaeological excavations outside of Palermo first unearthed the remains of mini elephants and hippos which used to roam prehistoric Sicily, this discovery lead to the widespread belief that Sicily was founded by giants. The elephant skulls were also taken as proof that the Cyclops from Homer’s Odyssey existed. The elephant skulls peculiar shape, and a typical single hole at the centre seemed to confirm that the animal in question had a single eye.

Many Sicilian academics believe Messina’s Mata and Grifone are manifestations of ancient nature gods, the pale-skinned Mata is a version of the ancient Greek myth of Persephone who was the daughter of the goddess of nature Demeter and who was kidnapped by the underworld god Hades, ruler of the ancients afterlife. There is a secure connection to many other pagan gods representing contrasting elements which coexist such as night and day, male and female and winter and summer.

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The tale told at Messina is a love story, with a staunchly Catholic flavour and no bloodshed. Mata was the daughter of a Messinese nobleman caught the eye of Grifone a general in the invading army who had just conquered Messina.

Pledging his undying love for Mata, he asked for her hand in marriage, which was granted with the understanding Grifone would convert to Catholicism, which he did and then the two went on to become rulers of ancient Messina.

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Probably the most famous version of the gruesome Moorish heads story is the one retold by Boccaccio in the Renaissance short stories from his Decameron. Boccaccio sets the story directly in Messina, the main protagonist is Lisabetta or Isabella an orphaned noble girl who is jealously guarded by her three brothers.

Isabella falls honestly and spontaneously in love with Lorenzo, a local boy of modest means. Their love affair goes on in secret until the three brothers discover Lisabetta leaving to meet her lover and decide to put an end to the relationship to avoid tarnishing the good name of the family. The brothers lead Lorenzo out of the city and murder him, hiding his body in a shallow grave and on their return home tell their sister Lorenzo quietly left on business.
But when her lover is absent for too long, Lisabetta becomes desperate with worry. One night Lorenzo appears to Lisabetta in a dream telling her he was killed by her brothers and where his body is buried.

Determined to find Lorenzo, she obtains permission from her brothers to go on a trip to the countryside with her female servant. She finds Lorenzo’s body and unable to give her lover the burial he deserves and insane with grief she cuts off Lorenzo’s head. At home, she hides the head in a vase and plants some basil in it. The plan blossoms, watered by Lisabetta’s tears.
Isabella’s behaviour alarms the neighbours and her brothers discover Lorenzo’s head. They get rid of the evidence of their crime, leave Messina and flee to Naples leaving behind a distraught Isabella to die of a broken heart.

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In 1849 the sad tale of Isabella of Messina was revived by British artist Everett Millais who created the first painting in the romantic Pre Raphaelite style. The canvas of Lorenzo and Isabella is filled with hidden messages and subtle phallic symbols which have intrigued art lovers for generations.
Another imminent Pre Raphaelite artist Edward Coley Burne Jones painted a portrait of Isabelle and the pot of Basil in 1867. This interpretation of Isabelle depicts the emotive moment the girl weeps over her basil plant towards the end of the story.
The Coley Burne Jones masterpiece draws on ancient mythology, recalling elements of traditional folklore, for example, the ancient Greeks and Romans believed basil was associated with hatred, and according to folk beliefs the plant had to be sown with swearing and ranting. The ancient Egyptians used the herb in the embalming process, making it also a symbol of mourning.

Romantic poet John Keats used the story as the inspiration behind his poem Isabella, or the pot of Basil. In the hands of the highly idealistic romantic Keats, the tale became a love story corrupted by the pride and greed of Isabella’s brothers who treated her like an object.
The Romantic’s version is set in Florence, the poem is filled with profoundly violent imagery before and after the murder occurs. Keats quotes the Greek myth of Perseus who killed Medusa the gorgon serpent-headed monster, which is at the centre of the Trinacria an ancient symbol still used to represent Sicily today.
Behind every work of art, there is always a story, Sicily takes this aphorism to an extreme with its history filled with violence, tragedy and loss.

The baroque ceramic Moorish heads are the artistic expression of the islands rich yet dark mythology.

Food and religious festivals in Sicily this August

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August is a month filled with endless food and religious celebrations which fill the table with local fare and many opportunities to witness ancient patron saint festivals. Most Italians have their annual summer vacation this month, so there is a particularly hectic series of outdoor events paired with epic traffic jams to match!

Italy in August means the thermometer hits its peak and the humid Italo summer closes down the entire peninsula as all Italians go to the beach, up to the mountains or overseas.

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Ferragosto is the mid-August holiday, the Latin term Feriae Augusti (Augustus’ rest), was celebration first introduced by Emperor Augustus in 18 BC. In addition to the existing Roman festivals which celebrated harvest times, the Roman Empire chose to revel in the heat and basically take the month to rest.

During the ancient celebrations, horse races were held across the Empire, and beasts of burden were released from their work duties and decorated with flowers. The many Palio horse races all around Italy still reflect these ancient Roman celebrations. The name “Palio” comes from the pallium, a piece of precious fabric which was the prize given to winners of these horse races.

The popular tradition of taking a trip during Ferragosto came about during the Fascist period. In the second half of the 1920s, during the mid-August period, the regime organised hundreds of popular tours. People’s Trains for Ferragosto were available at discounted prices.

Today the 15th of August is a national holiday and a religious feast day which celebrates the Assumption of the Virgin Mary. The Roman Catholic church believes it was the day when the Madonna’s sinless soul and the incorruptible body was taken up to heaven.

 

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Source: I stock by Getty Images

In Sicily and Italy, there are many ancient festivities in cities where the ‘Virgin of the Assumption’ is the patron or protector. Ferragosto in Sicily offers elaborate parades and celebrations from Randazzo (Catania) to Messina, Capo d’Orlando (Messina), Motta d’Affermo (Catania), Novara di Sicilia (Messina), Montagnareale (Messina), Piazza Armerina (Enna), Aci Catena (Catania) and many more.

 

Here are some annual events to pin for later and check out in August.

 

August in Sicily

 

For an impressive complete list see Sicilia in Festa which provides the most up to date information about festivities province by province during the year for all visitors to Sicily.

Be sure to check out official event links and web pages as event dates may be changed.

A walk to the fig tree

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In the summer Sicilian’s become like frugivorous animals living off the fruits produced by their gardens. So my husband, son and I are obliged to take a walk to the fig tree to gather up its bounty.

The only problem is the tree is hidden deep below a steep precipice behind overgrown bushes and prickly vines. So a simple walk to a fig tree becomes a trek through the Sicilian undergrowth.

According to my son’s fertile imagination, we were buried in the jungle. In reality, we were making a path through the rugged and abandoned countryside. I was imagining twisted ankles, ripped clothes and thorns.

 

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After literally cutting a path through the bushes we were rewarded by a pleasant walk under the shade of overgrown hazelnut trees in a pathway well hidden from the still burning afternoon sun littered with small mulberries we all love to eat.

 

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When we finally reached the tree, we receive the most indulgent reward, an elaborate tree filled with lush mature fruit. Something is satisfying about eating fresh fruit from under a tree. As I pick the most delicious figs, the white sap bleeds onto my hands, and the figs split open, I place them in my mouth.

 

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While slurping up my first fig of the year, I recall how Italian Renaissance poets used the image of the fig as an erotic metaphor for female genitalia, who knew to eat a fig would be so provocative.

 

 

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The fig has been cultivated for more than 5,000 years and is native to the region between the Mediterranean and the Black Sea. The tree repeatedly appears in the Bible, and some scholars believe the forbidden fruit picked by Eve was a fig rather than an apple.

 

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We are forced to fight off the birds for the figs, as their growing season is so short and intense, we have to be quick, or we’ll miss out. If there is an abundant crop, I might get the chance to make fig jam, or we can choose to dry them in the sun so we can eat them later with roasted hazelnuts in the winter.

The exciting possibilities are endless.

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Sagre and Feste in July

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Food and religious festivals (sagre and feste) all over the peninsula are at the heart and soul of Italian traditions. The ones celebrated on the island of Sicily are particularly rich in history, colour and taste.

Sicilians are proud of their cuisine and dedicate a considerable amount of effort in preparing and sharing their typical plates. So a visit to a sagra is a celebration and invitation to taste the best of Sicily.

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While patron Saint celebrations have a long history in Sicily and Italy linked to the establishment of the Roman Catholic Church throughout Europe. Sicilians have a sincere dedication to their hometown Saints and a visit to a big feast day will give a unique experience into the intriguing history of Sicily as each has been linked to a particular place for centuries.

The Saints statues are works of art unto themselves, their stories are miracles are amazing tales, and the churches they are housed in are filled with more colour and art still. The celebrations include elaborate pageants like processions, music, fireworks, food and costumes.

Sicily is dedicated to its Saints and cuisine, and these elaborate parties show the best side of the island for all to see.

Here are some events to pin for your next trip to Sicily.

July in sicily

Summer decadence

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Sicily is filled with many culinary delicacies throughout the year, but it seems to outdo itself for the summer holidays when everyone is out to have a good time and forget their diets. There are the usual pastries and the cliché gelati but two particular summer favourites which simply must not be missed by any visitor to the island.

The first is the simple granita, an iced drink offered in a variety of flavours including lemon, strawberry, coffee, chocolate, almond, berry, peach etc. (the choice is limitless, depending on the imagination of your local café bar owner.) To be clear this isn’t merely shaved ice flavoured with artificial syrups, they are made from fresh seasonal fruit and ingredients.

       

 

The most irresistible temptation for a summer breakfast is packed with tonnes of, ‘ruin your diet,’ calories but, ‘really who the hell cares about that’ taste. A coffee granita, for caffeine lovers, is the ultimate iced coffee. It must be consumed with a thick layer of fresh cream and a giant sweet bread briosche to dip into it as you mix the cream into this exquisite creation.
For those who aren’t a fan of coffee try strawberry with fresh cream, when you mix the two together, it is like eating strawberries and cream. Or if you have something against fresh cream and sweet bread try ordering lemon and strawberry swirled together for a refreshing summertime drink.

 

Secondly but by no means inferior to the granita is an ice cream filled sweet bread. Yes, my friends you heard it right, a mega serving of ice cream inside a bread roll for a hamburger with a difference.
Not for the faint-hearted, a brioche con gelato is a regular meal substitute. Don’t, for example, have it after a big continental breakfast or a typical several course Italian meal because you will end up feeling very ill.
It may seem like a strange thing to eat but believe me, you will be tempted by a filling of two or more of your favourite ice creams, which will be complemented by the texture of the extra soft pastry as you devour it.
Try it, and you’ll understand what I mean.

 

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The extravagant Tabacchere

 

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One of the most sumptuous fruits of the Sicilian summer has to be the Tabacchere, a strange little squashed furry peach packed with enormous flavour.

I first saw these seemingly insignificant mini fruit at the fruit and vegetable stalls at the open air markets and took them as an inferior version of regular peaches.

I was seriously mistaken as the Tabacchere are baroque masterpieces of the Sicilian estival fruits. They taste unlike any other peach a concentration of delicate sweetness with a pungent aroma that is intoxicating.

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A case of Tabacchere is a generous gift a real luxury and can cost up to three times the price of regular peaches. A house drenched in the perfume of these peaches is a sensual pleasure filled with the sweetness of summer sunshine, which lingers in the air and in the mouth.

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Also known as saturn, snuffbox and tango doughnut peaches Tabacchere have been grown on the slopes of Mount Etna since the early 1800’s. The rich volcanic soil and the sunshine makes these peaches thrive. Since they do not keep for long and due to their odd size they are generally consumed locally during the short growing season.

These delicate little pieces of flavoursome decadence are characterised by a thin outer skin which easily slips off to reveal a light flesh with a strong scent of peach like a bouquet of roses, Its tiny Tabacchere pip makes it nearly entirely edible.

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Peach cobbler is always on the menu when they are in season, any recipe that will make the most of this surprising abundance, to share them with extended Sicilian family and friends.

Everyone should experience the heavenly Tabacchere.

 

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Hidden Gems

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This month the #DolceVitaBloggers link up is sharing our personal guide to Italy’s hidden gems, special off the hidden track treasures which are often whisked by on thirsty bucket list group tours or pedantically planned summer trips.

Thanks again to Kelly from italianatheart.com, Jasmine from questadolcevita.com and Kristie of mammaprada.com for creating this great way of connecting Italophiles, to pool our collective knowledge. So get your pens and papers out to start planning your trip to Italy.

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For more on how to join in on the fun click here.

The whole of Italy is filled with hidden treasures, tiny little towns away from the major cities where you can still eat the best meal of your life at a tiny Trattoria away from the crowds. Most visitors spend only a few days here and there without witnessing the authentic daily life of the peninsular.

Italy is made for slow travel so the best way to spend your trip here is to take your time, move out of the big touristy centres, try to eat where the locals eat, visit small food markets, so to the churches, religious and food festivals, as it is there where you will see Italians and Italy at their most relaxed.

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Take the time to taste local dishes and wines, flavour your trip with free time to wander and explore, learn a few words of italian, at least enough to ask simple questions. Go to free summer concerts organised by the locals, go to the theatre, go into that interesting artisan studio, explore cute little ceramic stores, artist workshops and tiny wine bars, what you find inside will become wonderful memories.

Don’t limit yourself to visiting only in the summer, there are so many wonderful tastes and experiences even in autumn and winter, while spring in Italy is beautiful and generally much less crowded.

Italy’s biggest hidden jewel has to be the island of Sicily, not because I live here but for the rich historical landmarks left behind by the thirteen different foreign rulers of its past. From the Phoenicians to Greeks, Romans, Byzantines, Muslims, French (Normans), Germans (Hohenstaufen/Swabain), Nordic Vikings , English (Angevin), Spanish (Aragonese/Borbons) and Austrians (Habsburgs).

Not only have these cultures left behind physical architectural landmarks from churches to temples, but also the traditions which give birth to colourful Festa and Sagre celebrations.

The nine provincial capitals of Sicily (Agrigento, Caltanissetta, Catania, Enna, Messina, Palermo, Ragusa, Syracuse and Trapani) each filled with many historical sites, museums and typical products to see and taste. Keep in mind every region and some times each town will have its own variations in wines, cheeses, breads, pasta dishes, sweets and abundant feasts.

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An Italian Festa celebrates a towns patron Saint and is filled with processions, parades and market days. A saint day celebration is more than simply religion it is a piece of living history. A city’s patron has been around as long as the town’s been established and the celebrations are the fruit of careful planning and dedication.

Even a small villages patron Saint’s statue is laden with elaborate decorations, taken through every street where it meets and greets the people like an old family friend. The town’s marching band will accompany it with a personalised soundtrack, those who physically carry the Saint will cry out praises of ‘Viva Saint so & so.’

There will be monetary donations given to the Saint’s confraternities and the days celebrations will be accompanied by market stalls, booming fire crackers and night-time pyrotechnics and the local school children will get a holiday. There are Saint day’s all through the year and each has its own unique tradition and flare.

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In Sicily the biggest celebrations are St Agata at Catania (February), St Rosalia at Palermo (July), St Lucia of Syracuse (November), St Giorgio at Ragusa (April) and the Madonna at Messina (August) which is also a national holiday throughout Italy.

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Apart from the religious based feste, Italy chooses to celebrate its cuisine in endless food festivals or Sagre during the year. Each town offers a taste of local specialities, over a few days visitors can dip their fingers into the rich culinary stew which gently boils over throughout Italy. For some small change you can taste everything from freshly harvested strawberries in the spring, to new wine at November, gelato in the summer and roasted pork in the winter.

There is always something to taste or experience in the rich tapestry which is Italy. To give you an idea of the sheer amount of Feste and Sagre here is a list of those which happen annually in Sicily every June. These events are advertised locally so be sure to keep an eye out for flyers and posters around the place.

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Here are some more useful posts you might like to read since SI&O is all about discovering Sicily’s hidden gems.

A tasteful introduction to Sicilian food

Easter Celebrations in Sicily

Yuletide Sicily

Novembrando

How to explore Sicilian towns

Dividing Sicily into bitesize pieces

A Sicilian wish list for the Summertime

What to do in Sicily

To read all the other posts about Italian hidden gems for June 2018 click here.

Past #DolceVitaBlogger Link-Ups:
​#DolceVitaBloggers Linkup – #6 May 2018 – Five Italian Words
​#DolceVitaBloggers Linkup – #5 April 2018 – The Perfect Day in Italy
​#DolceVitaBloggers Linkup – #4 March 2018 – International Women’s Day
​#DolceVitaBloggers Linkup – #3 February 2018 – A Love Letter to Italy
#DolceVitaBloggers Linkup – #2 January 2018 – Favourite Italian City
​#DolceVitaBloggers Linkup – #1 December 2017 – ‘The Italian Connection

Smoky roasted Artichokes

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The Sicilian spring is moody as the weather fluctuates between rain and days of glorious sun. The Sciroccio wind whips itself up from the African desert and pushes the seasons along.

White blossoms in the fruit trees blend with shadowy greys. The spring is an armistice which allows the winter to gradually surrender itself and begin the cycle again.

Artichokes

Sicilian artichokes are as prickly as the late winter weather, but after their external spikes are removed the internal fleshy flower is a delicate balm for the cold. 

The artichoke is a thistle and comes from the same family as the sunflower. This edible flower is a native of the Mediterranean and dates back to ancient Greek times when they were cultivated in Italy and Sicily.

Greek mythology tells how Zeus created the artichoke from a beautiful mortal woman. While visiting his brother Poseidon, Zeus spied a beautiful young woman, he was so pleased with the girl named Cynara, that  he decided to make her a goddess. Cynara agreed, however she grew homesick and snuck back home to visit her family. Zeus discovered this and became angry, throwing Cynara back to earth and transforming her into a plant.

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Cynar is an Italian liqueur which gets its name from the artichoke and the mythological origins of this plant. This bitter alcoholic drink is made from thirteen different plants including the artichoke. It is generally drunk straight as an after dinner digestive or as a cocktail mixing it with soda water, tonic water and lemon, lime or orange juice.

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It is always a joy to prepare artichokes as part of the Sicilian table every year. They may seem difficult but they are versatile, easily stuffed and the tender internal leaves can be prepared separately as a pasta condiment. The discarded stalks can also be blanched in hot water, then blended together to make a creamy pesto like mixture.

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The best way to prepare the first tender artichokes of the season is to stuff them with a combination of fresh spring aromas like pancetta, parsley, spring onions, garlic, finely sliced celery, a pinch of hot chilli pepper, all soaked in a drizzle of extra virgin olive oil and a squeeze of lemon and then cooking them slowly over hot coals, or ‘a braci’ as they say in the local dialect. 

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Covering the richly flavoured artichokes with hot smoking embers and letting the stuffing’s taste gradually imbue itself into the artichoke is the best. The tough external leaves are crusty and burnt but act as a protective shell until the internal tender parts are fully cooked. The fat of the bacon melts and amalgamates with the sweetness of the vegetable in an irresistible smoky flavour. 

I love preparing them for my Birthday in late February every year. The only flowers I ever truly enjoy are a bouquet of carciofi.

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Vedi qua il post anche in Italiano: Carciofi affumicati e arrostiti

Springtime Asparagus

Wild Asparagus

As the weather begins to warm the first fruits of spring literally ‘spring’ up from the new foliage. A favourite has to be wild asparagus which grows randomly and abundant throughout Italy.

Asparagus is a member of the Lily family and is sought after for its tender, succulent, edible shoots. This plant has been cultivated for more than two thousand years in the eastern Mediterranean. Roman emperors loved it so much they kept special boats for the purpose of fetching it and named them the Asparagus fleet.

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Wild asparagus shoots up between thorny blackberry plants, in cool damp gullies or secluded places where they are hidden and keep themselves tender and ripe for those who search for them every year. The spontaneous uncultivated variety has a sweeter taste than the domesticated type and is a sort after ingredient during the early days of spring.

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There are two types of wild asparagus, a slim, tall, sweet variety dispersed in every area and then a short, dark, slightly spindly and bitter asparagus which grows later on in the season. The sweeter variety is the most popular while the bitter type is an acquired taste and often needs to be blanched in hot water to take away a little of the bitterness.

The asparagus hunt can be as popular as mushroom or truffle hunting in the Italian autumn months. The hunt for asparagus can turn into a war. Often it’s a race to get to the best spots first and it can be quite vicious. Like mushrooms, asparagus are a delicacy that bring out the competitive nature of people. 

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The asparagus hunter has an intense satisfaction and can relish the preparation of this sweet vegetable which can be cleaned and fried with olive oil to make an omelette, or wrapped in thinly sliced cheese and prosciutto cotto ham and baked in the oven.

Personally when I see a batch of freshly picked asparagus I feel like a quiche is coming on. The culinary possibilities really are endless. Dishes like these are an elixir to the wintertime, like the warmth of spring they assure me the cold is coming to an end. 

 

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Per la versione in Italiano clicca qui: Asparagi di primavera

Leonforte at the beating heart of Sicily

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Goethe once said to have seen Italy without having seen Sicily is not to have seen Italy at all, for Sicily is the clue to everything. But in order to understand Sicily you need to go to its geographical centre because the key to the island’s identity is there. The province of Enna is known as the belly button of Sicily and is the home of the island’s most ancient traditions.

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The town of Leonforte casually rests upon the Erei mountains of central Sicily, only about thirteen miles from the main provincial capital of Enna. Today it is a beautiful municipality surrounded by a scenic countryside. It’s an idealistic tranquil place like many other communities all around the island where everyday life rambles on without much fuss or bother and the locals tend to forget about the outside world, happily going through the rituals of daily life in Sicily.

The provinces of Enna and Caltanissetta have always been a source of great strategical importance in the island’s history and have been the backdrop to many battles and skirmishes throughout history. Together with its immense agricultural wealth and fertility, the heart of the island has always been more savage or untamed, its landscape isolates it from the coast, yet it has always been inhabited from prehistoric times.

Before the founding of modern Leonforte the area was home to the ancient city of Tabas or Tavaca which became an important base during the Muslim conquest of the island from 827 to 902 A.D. The Arab invaders from North Africa saw the island as an earthly paradise. The central province of Enna became a Muslim stronghold for generations together with many other major Sicilian cities such as Palermo and Syracuse.

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Sicily was essentially an Arab Emirate from 831 to 1091 A.D after an extended struggle with the late Roman Byzantine Empire lasting nearly four hundred years. In an extraordinary piece of Sicilian history, for two hundred years the island became a multicultural society which blended together both Arab and Byzantine elements of life.

The new Arab rulers initiated land reforms increasing productivity and encouraging the growth of small estates, by introducing elaborate irrigation systems which tapped into the island’s abundant underground water supply, bringing water to areas which once suffered from drought. The introduction of crops like oranges, lemons, pistachio and sugarcane by North African Muslims also improved Sicily’s agriculture and added new elements to Sicilian cuisine. 

The local population conquered by the Muslims were Romanized Catholic Sicilians in Western Sicily and Greek-speaking Christians in the eastern half of the island. Christianity and Judaism were tolerated under Muslim rule but were subject to some restrictions as to where they could practice their rites and were obliged to pay religious based taxes.

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The gradual breakdown of Muslim rule in Sicily began in the 11th and 12th centuries as a series of Norman Kings began to push the Arabs out of Sicily. The Norman period, however, continued to be multi-ethnic in nature. Normans, Jews, Muslim Arabs, Byzantine Greeks, Lombards and native Sicilians lived in relative harmony. 

Arabic was the official language of government and administration for at least a century into Norman rule and traces remain in contemporary Sicilian and Maltese. Under the guidance of the royal court of Frederick the second of Sicily Italy’s first school of poetics was born, anticipating the Tuscan Renaissance. Muslims also maintained their domination of industry, retailing and production, while Muslim artisans with expert knowledge in government and administration were highly sought after.

After many centuries under the influence of Middle Eastern and North African culture and religion, Sicily began another epic transformation under a succession of staunchly Catholic French Norman Kings who all struggled with endless battles throughout the island to push out other foreign dominations. At Leonforte one ancient folktale recounts how the local river was tainted blood red during brutal wars between the Saracens and Normans to control the heartlands of Sicily.

In the succession of thirteen different invaders of Sicily’s history the Normans were surpassed by the German Hohenstaufen’s, then the French house of Anjou and eventually the Aragonese House of Barcelona who gradually transformed Sicily’s culture over the course of two centuries. The Roman Catholic Church gradually became a part of the culture and forced Sicilian Muslims to be expelled from the island.

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The town of Leonforte was later founded by the Branciforti, a legendary Sicilian noble family, whose founding father, Obizzo gained his knightly title and name after heroically holding up the flag of the Holy Roman Emperor Charlemagne in the battle to expel the German Lombards from Italy.

The first member of this Sicilian aristocratic family is credited as literally holding up the royal flag despite losing both of his hands in a grotesque mutilation. This heroic action earned himself and his family the name of Branciforte, in honour of his strong arms who helped to hold up the cause of  Charles the Great’s campaign to unite Europe after the fall of the Western Roman Empire.

Leonforte together with Scordia in Catania province and Niscemi at Caltanissetta were all founded around the same time in the 1600’s as part of a project to colonise central Sicily with a conscious focus on town development, infrastructure and agriculture.

Building upon what had been left behind from past foreign inhabitants the Branciforte positioned Leonforte on the same strategic position on the internal Altesina mountains as the Arabs had used to divide the island into its three historical valleys which are still used to define the geography of the island today. From the Val Demone in the east at Catania, to the Val di Mazzara of Ragusa and Syracuse in the south and the Val di Noto in the west from Trapani to Palermo.

Prince Nicolò Placido Branciforti literally built the town from the ground up, his family gradually constructing a castle, a parish church, convent, gardens and several water fountains. Leonforte developed under the flag of the Braciforte with its regal crowned lion, holding onto the royal French Lily adorned flag, complete with two severed front paws in the foreground as a testament to the family’s heroic founder.

The town’s name reflects its connection to the Sicilian nobility and its iconic coat of arms. Leonforte flourished and developed under the rule of the Braciforte and today it is well known for its agriculture from its mouth-watering peaches, fava beans, olive oil, citrus, terracotta products and cheeses.

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Of all of the historical treasures of Leonforte, the one which the locals are most proud of is their baroque Granfonte water fountain, which is at the centre of their civic and cultural history. Built on the ruins of an earlier Arab fountain known as the Fonte di Tavi, it is connected to a complex irrigation system of pipes, mills and smaller fountains which go down into the valley and was once used for the irrigation of the surrounding countryside and a now lost botanical garden.

The fountain built in 1652 was designed by prominent Palermo architect and painter Marino Smiriglio, whose works are dotted around the island and include Palermo’s central Quattro Canti at the intersection which connects the four main neighbourhoods of the Sicilian capital.

The Granfonte or 24 Cannola as it is known locally is a grandiose succession of twenty-two archways and twenty-four bronze spouts which gush out water into a series of sandstone basins once used as a public wash house, fountain and marketplace in a main square of the town. The archways are elaborate frames filled with ornamentation and inscriptions, spiral shaped stones and two lion carvings on either side which quote the coat of arms of the ever-present Braciforte.

A little over 74 feet long and 8 deep the Granfonte is imposing and faces out to the original entrance of the old town at the Palermo gates, which lead to the original trade route towards the Sicilian capital. This theatrical backdrop of water quotes influences from the historical papal gardens of Tivoli outside of Rome to the Flemish fountains of Amsterdam and is literally at the heart of the city’s civic and religious history.

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Public fountains in Sicily were used up until the early 1900’s and were an important focal point of everyday lives. Daily trips to gather water, wash clothes and take animals to drink were occasions for socialising, gossiping, visiting the markets and as a meeting place in general. Today the Granfonte at Leonforte no longer hosts the markets but it has become the stage for a much more elaborate religious performance during Holy Week at Easter.

Good Friday at the Granfonte water fountain of Leonforte becomes the focal point of a suggestive funeral procession which commemorates the death of Jesus Christ.  An elaborate march weaves its way through all the streets of the town on the afternoon of Venerdì Santo. The crucifix stops in front of each church it meets arriving at the Chiesa della Madonna near the Granfonte where the ancient life-sized wooden statue of Christ is taken down off the cross and placed in a decorative glass coffin, in a performance played out by the local priest.

Accompanied by a large bonfire lit in the piazza, the fountains waters are silenced as a sign of mourning and respect for the solemn funeral rite. At dawn the cortege is accompanied by a brass marching band playing a funeral march as Christ’s coffin is carried on the shoulders of the hooded and tunic wearing members of the brothers of the Confraternity of the Santissimo Sacramento, followed by the statue of the Madonna Addolorata as a symbol of the grieving mother of Christ.

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The parade makes its way up through the ancient stairways of Leonforte ascending up to the highest point of the town at the Church of Santa Croce, symbolic of the hill where the martyrdom of Christ took place. The band stops playing and in the silence, the mourners begin to recite a poetic lament in the form of an ancient folk song which mixes elements of prayer with the local dialect.

The Lamento is hypnotic, exotic, evocative of a middle eastern call to prayer and is an integral part of the ritual of the Passion at Leonforte. Once performed by the elders of the community today it is the young who uphold this tradition of song handed down from father to son, in a prayer recited in the local dialect which seeks to console the Virgin Mary in her hour of loss.

With the resurrection of Christ on Easter Sunday, the people of Leonforte gather in the square of the convent of Capuchin friars to celebrate. All of the statues who participated in the many processions during holy week, are a part of the meeting of Christ with the Madonna. The Granfonte’s waters are reopened restoring their healing qualities and the baptismal promise of new life.

Per la versione in Italiano clicca qui: Leonforte il cuore della Sicilia

Leonforte il cuore della Sicilia

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La città di Leonforte si trova su i monti Erei della Sicilia centrale, solo 13 miglia dalla provincia di Enna. Oggi è una città bellissima circondata da una scenica campagna.

È un posto idealistico e tranquillo come molte altre comunità dell’ isola, dove, la vita quotidiana senza confusione o disturbo e gli abitanti tendono a dimenticarsi del resto del mondo, vivendo serenamente i riti della vita di ogni giorno in Sicilia.

Le provincie di Enna e Caltanissetta sono sempre state luoghi di grande importanza strategica nella storia dell’isola, e, sono state campo di molte battaglie e “scaramuccie”. Insieme alla sua immenza ricchezza agricola ed alla sua fertilità, il cuore dell’isola è sempre stato più selvaggio ed incontaminato, il suo territorio lo isola dalla costa, tuttavia è sempre stato abitato sin dai tempi preistorici.

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Prima della fondazione della moderna Leonforte, l’area era la casa dell’antica città di Tabas o Taraca, un’ importante base durante la conquista Mussulmana dell’isola, dal 827 a 902 A.D. Gli invasori Arabi dal Nord Africa vedevano l’isola come un paradiso terrestre. La provincia centrale di Enna fu una roccaforte Mussulmana per generazioni, insieme a molte altre città principali, come Palermo e Siracusa.

La Sicilia fu essenzialmente un Emirato Arabo dall’ 831 all’ 1091 A.D. , dopo una lunga lotta con il lontano Impero Romano Bizantino, durata quasi 400 anni. Quindi per gran parte della sua storia l’isola divenne una società multiculturale, che mischiava insieme sia elementi della vita Araba che Bizantina.

I nuovi dominatori Arabi iniziarano a rivoluzionare l’agricoltura: incrementando la prodottività e incoroggiando la crescita di piccoli poderi; introducendo elaborati sistemi di irrigazione che sfruttavano la abbondanti acque presenti; portando l’acqua alle area che una volta soffrivano la siccità.

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L’introduzione di piante come arance, limoni, pistacchi e canna da zucchero da parte dei Mussumani Nord Africani migliorarono l’agricoltura dell’isola e diedero nuovi elementi alla cucina Siciliana. La popolazione locale conquistata dai Mussulmani era Cattolico Romana nella Sicilia Occidentale e Greco Cristiano nella metà orientale. Cristianità e Giudeismo erano tollerati sotto il dominio Mussulmano, ma erano soggette ad alcune restrizioni, come i luoghi in cui potevano praticare i loro riti e l’obbligo di pagare tasse religiose.

Il graduale declino del dominio Mussulmano in Sicilia inizia nell’ 11° e 12° secolo, quando il Regno Normanno inizia a spigere gli Arabi fuori dall’isola. Il periodo Normanno comunque continuò ad essere di natura multi-etnica. Normanni, Ebrei, Arabi Mussulmani, Greci, Bizantini, Lombardi e Siciliani vivevano in una relativa armonia.

L’Arabo fu la lingua ufficiale del governo e dell’amministrazione per circa un secolo durante il dominio Normanno e ne troviamo tracce anche oggi nelle lingue Siciliane e Maltese. Sotto la guida della corte di Federico II di Sicilia nacque la prima scuola poetica d’Italia, anticipando il Rinascemento Toscano. I Mussulmani mantennero inoltre il controllo dell’industria, del commercio e della produzione, mentre gli artigiani Mussulmani per la loro grande conoscenza erano altamente ricercarti.

Dopo molti secoli sotto l‘influenza della cultura e delle religioni di Medio Oriente e Nord Africana, la Sicilia inziò un’ altra epica trasformazione sotto una successione di Re Franco Normanni, fortemente cattolici, impegnati a combattere battaglie senza fine nell’isola per cacciare le altre dominizioni straniere. A Leonforte antichi racconti, parlano di come il fiume locale fosse diventato rosso come il sangue durante le brutali guerre fra Saraceni e Normanni.

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Nella successione di 13 differenti invasori della storia della Sicilia i Normanni furono sovrastati dai Tedeschi Hohenstaufen, poi dal casato Francese degli Anjou e in seguito dalla casa Aragonese di Barcellona che trasformò gradualmente la cultura della Sicilia nel corso di due secoli. La Chiesa Cattolica Romana lentamente divenne parte della cultura e costrinse i musulmani Siciliani ad andarsene dall’isola.

La città di Leonforte fu fondata dai Branciforte, una leggendaria famiglia nobile Siciliana, il cui padre fondatore Obizzo ottenne il suo titolo cavalleresco eroicamente, sostenendo la bandiera del Sacro Romano Impero di Carlo Magno nella battaglia per scacciare i tedeschi lombardi dall’ Italia.
Il primo membro di questo famiglia aristocratica Siciliana viene ricordato per aver letteralmente tenuto la bandiera reale nonostante avesse perso entrambe le mani in una grottesca mutilazione. Questa azione eroica fece guadagnare a lui ed alla sua famiglia il nome di Bracciaforte, in onore delle sue forti braccia che aiutarono a sostenere la causa di Carlo Magno per riunire l’europa dopo la caduta dell’ impero romano d’occidente.

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Leonforte insieme a Scordia nella provincia di Catania e Niscemi a Caltanissetta furono tutte fondate nello stesso periodo, nel 1600 come parte di un progetto di colonizzazione della Sicilia centrale, con l’intento di focalizzarsi sullo sviluppo delle città, delle infrastrutture e dell’agricoltura.

Costruendo su ciò che era stato lasciato dietro dai passati abitanti stranieri, i Branciforte situarono Leonforte in una posizione strategica, sul monte Altesina, seguendo la divisione territoriale dell’isola fatta dagli Arabi, che prevedeva l’individuazione di tre valli, che sono usate ancora oggi per definire la geografia della Sicilia; dal Val Demone ad est di Catania, al Val di Mazzara di Ragusa e Siracusa nel sud e la Val di Noto ad est da Trapani a Palermo.

Il Principe Nicolò Placido Branciforte costruì il suo feudo letteramente dal nulla, la sua famiglia gradualmente costruì un castello, una chiesa madre, un convento, i giardini e una serie di fontane. Leonforte si sviluppo’ sotto la bandiera dei Branciforte con il suo regale leone incoronato, che sostiene la bandiera che raffigura il giglio francese, completata da due zampe mozzate in sottofondo come testimonianza dell’ eroico fondatore della famiglia.

Branciforte

Il nome della città riflette la sua connessione con la nobilità Siciliana e il suo iconico stemma. Leonforte fioriva e si sviluppava sotto il dominio dei Branciforte ed oggi è ben conosciuta per la sua agricoltura, per le succose pesche, le fave, l’olio di oliva, gli agrumi, i prodotti di terracotta ed i formaggi.

Di tutti gli storici tesori di Leonforte, l’unico di cui gli abitanti sono più orgogliosi è la loro fontana in stile barocco, la Granfonte, che è al centro della loro storia civile e culturale. Costruita sulle rovine dell’ antica fontana Araba conosciuta come fonte di Tavi, è collegata ad un complesso sistema d’irrigazione a tubi, mulini e piccole fontane che vanno giù nella valle, ed un tempo erano usate per l’irrigazione della campagne circostanti e di un giardino botanico ormai sparito.

La fontana, costruita nel 1652, fu disegnata dall’ importante architetto e pittore Palermitano Marino Smiraglio, i cui lavori sono presenti in tutta l’isola, compresi i Quattro Canti di Palermo all’intersezione che collega i quattro prinipali quartieri del capoluogo Siciliano.

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Granfonte o 24 cannola come è conosciuta localmente, è una grandiosa successione di 22 archi e 24 bocche in bronzo dalle quali sgorga l’acqua in una serie di bacini in pietra, una volta usati come lavanderie publiche, fontana e mercato nelle piazza principale della città. Gli archi sono elaborate cornici arrichite con ornamenti e iscrizioni, pietre a forma di spirale e due leoni incisi su ogni parte che ricordano la stemma dei sempre presenti Branciforte.

Lunga un pò meno di 74 piedi e 8 profonda, Granfonte è impressionante ed è di fronte all’entrata originale della vecchia città alle porte di Palermo, che conduce all’antica rotta commerciale verso il capoluogo Siciliano. Questo teatrale sfondo di fontane vede l’influenza degli storici giardini papali di Tivoli fuori Roma, delle fontane Fiamminghe di Amsterdam ed è letterlamente il cuore della storia civile e religiosa della città.

Le fontane pubbliche in Sicilia vennero usate fino i primi del 1900 e furono un’ importante punto focale della vita quotidiana. I viaggi giornalieri per prendere l’acqua, lavare i vestiti e abbeverare gli animali erano occasioni per socializzare, spettegolare, visitare i mercati ed un posto d’incontro in generale. Oggi la Granfonte a Leonforte non ospita più i mercati ma e’ diventato luogo di più elaborate celebrazioni religiose durante la settimana santa di Pasqua.

Via Crucis

Venerdì Santo la fontana Granfonte di Leonforte diventa il punto focale di una suggestiva processione funebre che commemora la morte si Gesù Cristo. Un’elaborata marcia intreccia la sua strada attraverso le vie della città nel pomeriggio di Venerdì Santo. Il crocifisso si ferma di fronte ad ogni chiesa fino la chiesa della Madonna vicino la Granfonte, dove l’antica statua in legno a grandezza umana viene scesa dalla croce e situata in una decorativa bara in vetro, in una rappresentazione messa in scena dal prete.

Accompagnata da un grande falò nella piazza, le fontane sono spente come segno di lutto e rispetto per il solenne rito funebre. All’alba, il corteo è accompagnato da una banda di ottoni che suona una marcia funebre e la bara di Cristo è portata a spalla dai membri della confraternita del Santissimo Sacramento incappucciati e vestiti con tuniche, seguita dalla statua della Madonna Addolorata come simbolo del lutto della madre di Cristo.

La parata si fa strada attraverso le antiche scalinate di Leonforte salendo fino il punto più alto della città la Chiesa della Santa Croce, che simboleggia il colle dove il matirio di Cristo ebbe luogo. La banda smette di suonare e nel silenzio chi è in lutto inizia a recitare un lamento poetico sotto forma di un’antica canzone, che mischia elementi di preghiera con il dialetto locale.

Il lamento è ipnotico, esotico, evocativo delle musiche medio orientali, ed è parte integrale del rituale della passione a Leonforte. Una volta veniva messa in scena dagli anziani della communità, oggi invece sono i giovani a mantenere questa tradizione, tramandata di padre in figlio, una preghiera recitata in dialetto che cerca di consolare la vergine Maria nella sua ora di dolore.

Con la resurrezione di Cristo la Domenica di Pasqua, le persone di Leonforte si raccolgono nella piazza del convento dei Frati Cappuccini per festeggiare. Tutte le statue che partecipano alle molte processioni durante la Settimana Santa, prendono parte all’incontro di Cristo con la Madonna. Le acque di Granfonte sono riaperte restituendo le loro qualità guaritrici e la promessa battesimale di nuova vita.

For the english translation of this article click here:

Leonforte at the beating heart of Sicily

 

10 delle più spettacolari celebrazioni di Pasqua in Sicilia

La Santa Pasqua in Sicilia è ricca di antichi riti e tradizioni che sono tanto colorati e varigati quanto lo è l’isola stessa. La settimana che porta a Pasqua trabocca di celebrazioni religiose, preparazioni culinarie, processioni, parate guidate da antiche confraternite nei loro particolari costumi, rievocazioni del mortirio di Gesù Cristo e della resurrezione.

Ogni celebrazione fa parte di un elaborato spettacolo che mischia religione e paganesimo nelle festività che marca la fine dell’inverno e la rinascita della primavera.

Visitare ogni piccolo paese nell settimana di Pasqua sarebbe pieno di bellissime tradizioni religiose e di colore, ogni posto ha la propria versione delle stazioni della croce che richiamano i momenti finali della vita di Gesù e ci sono molte variazioni delle processioni religiose e delle celebrazioni. La settimana inizia con l’intreccio delle fronde delle palme che vengano benedette la domenica delle Palme, la settimana raggiunge un climax drammatico con le rappresentazioni della passione e finisce con il consumo delle delicate sculture di marzapane che raffigurano gli agnelli o ‘picureddi’, pane o biscotti decorati con uova dipinte, molti piatti tradizionali e infiniti desserts nell’usuale abbondanza della tavola Siciliana.

Se stai pianificando un viaggio in Sicilia proprio per provare le festività, qui ć è una lista delle 10 più spettacolari.

Pasqua in Sicilia

Diavoluzzi di Pasqua ad Adrano

Il riflettore di Pasqua ad Adrano in provincia di Catania è la Diavolata, la rappresentazione di un antica ‘commedia’ religiosa. Scritta nel 1728, da un frate locale, viene messa in scena la sera della Domenica di Pasqua. La Diavolata rappresenta l’eterna battaglia fra bene e male. La parte principale della tragedia si focalizza sulla lotta fra diversi diavoli e San Michele Arcangelo, che non solo riesce a sconfiggere i procacciatori del male ma anche a fargli lodare Dio.

La sera prima Pasqua, c’e il volo dell’Angelo, dove una ragazza “terrorizzata” viene legata e issata lungo una corda tesa attraverso la piazza per incontrare la statua di Cristo appena risorto, dandogli il benvenuto e lodandolo. L’uso dei bambini è una parte essenziale dello spettacolo di Pasqua in Sicilia, essi infatti rappresentano la purezza in contrasto con la cattiveria dell’umanità.

 

Adrano I Diavulazzi di Pasqua

 

Gli Incappucciati ad Enna

Goethe una volta disse che aver visto l’Italia senza aver visto la Sicilia non è aver visto tutta l’Italia, perchè la Sicilia è la chiave di tutto. Ma per capire la Sicilia bisogna andare nel suo centro geografico, perchè incarna l’identità dell’isola .

La provincia di Enna è conosciuta come l’ombelico di Sicilia, ed è la casa delle più antiche tradizioni. I sinistri incappucciati sono i personaggi centrali della celebrazione di Pasqua di Enna già dal periodo Spagnolo, dal 15° al 17° secolo. Soli i maschi membri delle quindici confraternite locali partecipavano ad una serie di ben organizzate processioni, preghiere nella Cattedrale.

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 Pashkët alla Piana degli Albanesi nella provincia di Palermo

A Piana degli Albanesi e nei paesi vicini nella provincia di Palermo, Pasqua prende elementi dalla fede Greca Ortodossa. Le celebrazioni si ispirano all’antica chiesa Bizantina, infatti in molti riti religiosi rappresentati durante la settimana Santa si usano il linguaggio Greco e Albanese. Anche le città di Contessa Entellina, San Cristina Gela, Mezzojuso e Palazzo Adriano donano questa particolare caratteristica etnica alle loro celebrazioni Pasquale.

I riti religiosi a Piana degli Albanesi finiscono con il Pontificale, una splendida parata di donne in sontuosi abiti tradizionali che attraversa le strade principali della città terminando alla Cattedrale. Alla fine della parata, delle colombe bianche vengono liberate tra le canzoni in dialetto e la distribuzione di uova colorate di rosso che sono simbolo di nuova vita e del sangue di Cristo.

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 Il ballo dei diavoli a Prizzi nella provincia di Palermo

A Prizzi nella provincia di Palermo diversi diavoli e la morte stessa disturbano le celebrazioni la Domenica di Pasqua con le loro macabre danze, finchè non vengono sconfitti da personaggi angelici che permettono alle celebrazioni di continuare. I diavoli  dai costumi sgargianti rossi e gialli e le maschere pagane celebrano la resurrezione in una delle più colorate e caratteristiche celebrazioni in Sicilia, indossano una tuta rossa, con una maschera rotonda e schiacciata completata da una lunga lingua di tessuto, coperta da pelle di capra e con una catena nelle mani. Mentre la morte è vestita di giallo con una balestra in mano. La loro turbolenta danza disturba le celebrazioni religiose, finchè non comprendono   che la resurrezione li ha sconfitti.

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I giudei a San Fratello in provincia di Messina

In cima ai personaggi grotteschi nella Santa Pasqua in Sicilia ci sono i Guidei di San Fratello. Il branco di uomini incappucciati vengono fuori dal paese e disturbano la solenne processione funebre la mattina di venerdì Santo e le altre processioni durante la settimana santa in generale.

Questi personaggi vengono dalla storia della Sicilia, con tutti i loro colori, i loro scherzi e le trombe rumorose. I costumi sono tramandati da padre in figlio,simili ad un’armatura,  sono caratterizzati da un color rosso accesso, completati da elaborati elmi, strisce gialle e intricati lavori di perline, sono dei capolavori ‘viventi’ dell’arte folkloristica che rimandano allo stile del carretto siciliano.

La colonia Normanna di San Fratello è la casa di questi uomini che legano insieme i fili della storia in tutti i loro colori. L’assordante confusione che creano sembra spaventosa, ma questo pandemonio è un’affermazione della vita. Questa tradizione è ininterrotta da   generazioni è continuata perfino durante le due guerre mondiali. Grazie a questi Giudei i Sanfratellani sono stati chiamati ‘non cattolici’ e ‘diavoli’ , ma questi personaggi sono una parte importante dell’ identità di San Fratello.

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I misteri di Trapani

La processione di Trapani dei Misteri ricostruisce scene della passione di Cristo con una processione di statue di legno che raffigurano differenti scene di questa eterna storia. L’interpretazione dei Misteri di Trapani è la più conosciuta delle celebrazioni dei Misteri, semplicemente grazie alla dimensioni delle statue ed alla grande abilità artistica espressa nelle figure che sono estremamente emotive e dettagliate.

I Misteri rappresentano la passione di Cristo e gli elementi simbolici associati alla storia. A fianco le opere d’arte troviamo oggetti come, lance, martelli e corone di spine in una estesa metafora religiosa.

Le festività iniziano il Martedì dopo la domenica delle Palme con la processione della Madonna delle Pietà, conosciuta localmente come Massari. Un’ opera d’arte che risale al 16° secolo che è racchiusa in una cornice dorata. La tela mostra la Maria Addolorata, rivolta verso sinistra, su uno sfondo scuro circondata da varie reliquie sante.

 

San Biagio PalataniGli archi di Pasqua

 

Gli archi di Pasqua di San Biagio Palatani in provincia di Agrigento

Oltre gli elementi religiosi e pagani, a Pasqua si rivolge particolare attenzione alla decorazione e all’abilità artistica. A San Biagio Palatani nelle vie della città, prendono il sopravvento  archi, cupole e campane  che fanno da sfondo alle celebrazioni pasquali.

I mesi precedenti infatti, le due principali confraternite storiche di San Biagio lavorano per creare queste grandiose opere d’arte folkloristica senza dimenticare il simbolismo religioso. Vengono impiegati solo materiali naturali come bamboo, salice piangente, asparagi, foglie d’alloro, rosmarino, cereali, datteri e pane.

Gli archi vengono disposti in successione, diventando più elaborati man mano che ci si avvicina al centro della città, punto in cui durante la processione della domenica di Pasqua  la Madonna e il Cristo risorto si incontrano.

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Lu Signuri delle Fasci a Pietraperzia in provincia di Enna.

Una delle più complesse processioni dell’isola è quella di Pietreperzia, dove il ‘Signuri di li fasci’ è il protagonista di un elaborata rappresentazione liturgica.

Dopo la proclamazione della morte di Gesù il Venerdì Santo, un antico crocifisso viene fissato su un lungo tronco da cui una complessa serie di lunghe tele di lino vengono sciolte lungo le vie, accompagnate da preghiere in dialetto. Le strisce di tessuto sono resti di usanza medievale, ma l’esibizione è unica in Sicilia.

Di solito coloro che tengono le strisce di tessuto,lunghe 40 metri, stanno chiedendo una grazia, ringraziano Dio per un miracolo che è già successo o mantengono una tradizione di famiglia che li collega a Pietraperzia.

Il corteo è anche accompagnato dalla confraternita locale nei loro costumi da frati incappucciati, ć è chi porta la statua della Madonna Addolorata, chi piange la morte di Gesù  tutti accompagnati dalla banda del paese.

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La Settimana Santa a Caltanissetta

La settimana santa a Caltanissetta è veramente bellissima, dalla Domenica delle Palme alla Domenica di Pasqua c’è una settimana piena esibizioni, processioni Barocche, rievocazioni dell’ultima cena, le stazioni della croce e riti tradizionali che riflettono l’antico e a volte aristocratico passato della Sicilia.

La Domenica delle Palme vede la processione di Gesù Nazareno, una statua di Cristo è posizionata dentro una barca decorata con fiori e portata per la città per ricreare il trionfante arrivo di Gesù a Nazareth. Il lunedì di Pasqua si può assistere ad una rievocazione dell’ultima Cena.

Mentre mercoledì si tiene una parata militare,la processione della Maestrina, le famiglie nobili e un’associazione di artigiani della città creano un miscuglio di elementi civili e religiosi. La sera poi avviene la processione della Varicedde, piccole statue fatte di argilla e terracotta che raffigurano le varie stazioni della croce.

Nel triste giorno del funerale del venerdì Santo la città è in lutto e il Cristo Nero diventa il centro di una profonda processione religiosa. La statua del Cristo crocifisso utilizzata per il corteo è un’opera molto antica che viene conservata dal 14° secolo nella chiesa di San Francesco.

Mentre il corteo della via Dolorosa e della Resurrezione, che si tiene la Domenica di Pasqua, proclama la resurrezione di Cristo in una colorata parata attraverso le strade.

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La corsa di San Leone a Sinagra in provincia di Messina

Non posso fare una lista delle usanze di Pasqua senza includere la caratteristica festa del mio piccolo paese, Sinagra, che comprende l’amore per il santo patrono San Leone e la gioia della Domenica di Pasqua.

Il giorno di Pasqua,la statua di San Leone parte dalla sua chiesa di campagna in cui trascorre l’inverno, per arrivare alla chiesa madre San Michele Arcangelo nel cuore del paese dove trascorre la restante parte dell’anno. La grande statua di legno è montata su una pesante struttura di legno (la vara) portata dai devoti della commissione di San Leone.

La sera quando il Santo arriva sul ponte all’inizio del paese, i fedeli iniziano a correre  portando la statua,accompagnando la corsa con grida e preghiere, il tutto incorniciato da suggestivi fuochi d’artificio. La corsa del santo ha lo scopo di celebrare uno dei miracoli  del Santo. Si narra infatti che quando era vescovo di Catania San Leone per  sconfiggere uno stregone che affermava di essere più potente di Dio, decise di sfidarlo proponendogli di attraversare il fuoco, la sfida vide il mago morire bruciato mentre San Leo rimanere  illeso attraversando le fiamme.

EASTER in Sicily

Per una lista più completa dei posti da visitare vedi la pagina Pasqua in Sicilia 2018, ć è una meravigliosa lista che puoi usare come riferimento per qualsiasi parte dell’isola tu voglia esplorare.

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See the english version of the post here:

10 of the most spectacular Easter celebrations in Sicily